Television programming for children underwent a significant shift in the late 1970’s – early ‘80s. The days of a circus atmosphere including clown characters with wild hair and bright costumes, pie in the face humor and children marching around the studio quickly faded into history. Parents desired—and the FCC began requiring–programs that would prompt curiosity, show various cultures, explore history and provide an educational component.

“Frog Hollow” was a WRAL children’s program that premiered in July, 1981 and aired each weekend through early 1985. The program was designed for preschoolers and emphasized good moral values and effective problem solving techniques as taught through music, dance and humorous situations.

The setting was a country general store in the hamlet of “Frog Hollow.” Peter Anlyan auditioned and won the role as “Pete the storekeeper.” Anlyan arrived with a background in theatre from New York University and wrote many of the scripts for the show.

Becky Lofland was the voice behind the puppet named “Facetia.” Becky used her background in psychology to write scripts in a manner and tone to engage young viewers.

Vivian Wells played the school teacher. Betsy Blair portrayed a variety of characters and often used dance and mime in her skits. Michael Evans played several characters including the “Lone Trucker,” who would stop by the general store to chat and sing with Pete and help solve various dilemmas with the other characters.

Special guest appearances were made by local doctors, dentists, dieticians, musicians, and actors portraying various historic figures. Julie Wick served as the first producer of Frog Hollow, followed by Lisa Cline.

“Frog Hollow” won the 1984 National Iris Award presented by the National Association of Television Program Executives. The winning entry was produced by Lisa Cline and written by Peter Anlyan. The Iris Award is considered one of the most prestigious awards in television programming. The award signified “Frog Hollow” as that year’s best children’s program in the nation’s mid-sized television markets.